L’atelier de moulage de la Réunion des musées nationaux – Grand Palais. 

This is a recording of a tour through the workshops of l’atelier de moulage in Paris, led by Thomas Lefeuvre.

 

L’atelier de moulage de la Réunion des musées nationaux – Grand Palais. 

This is a recording of a tour through the dry room of l’atelier de moulage in Paris, led by Thomas Lefeuvre.

L’atelier de moulage de la Réunion des musées nationaux – Grand Palais. 

This is a recording of a tour through the storage spaces of the l’atelier de moulage in Paris, led by Thomas Lefeuvre. Originally part of the Louvre, before becoming part of the Trocadero, l’atelier de moulage together with l’atelier de chalcographie, are now both based in Saint-Denis, en Île-de-France.

 

 

 

 

 

Cennino d’Andrea Cennini: l libro dell’arte

Various excerpts from Cennino d’Andrea Cennini’s treatise,  read by students from the University of Reading, detailing the fabrication of face moulds taken from life models.

Giorgio Vasari: On Technique

Excerpts of Vasari’s On Techniques (Le Vite de’ più eccellenti pittori, scultori, e architettori. 1550/1568), read by students from the University of Reading.

F. J. Glass: Modelling & Sculpture  – PART ONE

First part of a series of recordings in which students from the Department of Art work with excerpts from Modelling & Sculpture by F. J. Glass. First published in 1929 by Batesford in London, the book was intended by Glass as a practical treatise for students, probably also an attempt of a contemporary version of Vasari’s On Techniques (Le Vite de’ più eccellenti pittori, scultori, e architettori. 1550/1568).

The present recordings reflect on the instructions given for making different kinds of plaster moulds and casts of busts, waste moulds, and casts of figures in the round.

F. J. Glass: Modelling & Sculpture  – PART TWO

Second part of a series of recordings in which students from the Department of Art work with excerpts from Modelling & Sculpture by F. J. Glass. First published in 1929 by Batesford in London, the book was intended by Glass as a practical treatise for students, probably also an attempt of a contemporary version of Vasari’s On Techniques (Le Vite de’ più eccellenti pittori, scultori, e architettori. 1550/1568).

The present recordings reflect on the instructions given for making different kinds of plaster moulds and casts of busts, waste moulds, and casts of figures in the round.